5. Pocahontas: “Savages”
Released in 95, Pocahontas
was NOT the success Disney staff
expected. And I know why.
Because Pocahontas and John Smith
are BOOOOORIIIING. The raccoon Meeko, the hummingbird Flit and Percy
the pug are way more interesting. The talking tree makes me yawn, and chief Powhatan leaves much to be desired in the "princess's father" category (Powhatan is not funny, with his "steady as the beating drum" talk. Snooze fest!). And Pocahontas' best friend is a bitch. An honorable mention is due to
the young British settler Thomas, who is endearing and the only character in the movie to feel that genocide might be wrong. Also noteworthy: he was dubbed by none other than a young
Christian Bale.
"I'M BATMAN"
But the visual and the soundtrack
are very superior to the film. And the song “Savages”, in
particular, that shows both British settlers and native Americans
preparing themselves for war, is spectacular:
This sequence is great, the music is impressive, but singing about
genocide is... dark; definitely not a movie to be watched around
Thanksgiving, if you ask me!
Another thing that did not help the movie (for me) was Mel Gibson dubbing John Smith. You can hear the crazy in his voice!
"...and that's how the Jews killed Our Lord and Savior."
In the end, Disney makes settlers and native Americans happily helping each other.
4. The Princess
and the Frog: Dr.
Facilier's death
In
2004, Disney promised not to make any more traditionally animated
movies – thank God they went back on their word and released The
Princess and the Frog in
2009.
The
film introduces the first-ever African-American Disney princess, and
it takes place in New Orleans in the 20's, with lots of voodoo, jazz and Cajun accent.
When the villan, the voodoo witch doctor Facilier (love child of Cruella de Vil and Cap. Hook), fails to fulfill
his part in the agreement he had with the voodoo powers that be, (his
“friends on the other side”), punishment does not tardy:
“Pompompompompom
ARE YOU REEAAADY?” Oh. Dear. God. Those little voodoo dolls coming
out of the ground, Facilier's desperate face – printed forever
on a pillar – plus the chanting all make for a real nightmare.
Once
again: chanting never
helps.
3. The Black
Cauldron : The Horned
King's death
Never
heard of this movie or don't quite remember it? That's because Disney
does not want you to remember this flop from 85.
Based
on the book series The Chronicles of Prydain
by Lloyd Alexander, the movie is about young “assistant
pig-keeper” Taran, who must stop the Horned King (very Ring Wraith
looking, by the way) from getting the Black Cauldron, which can
give him a legion of undead soldiers. This film and The
Hunchback of Notre Dame
are considered to be Disney's darkest movies ever. Not to mention the
story is, frankly, a mess.
And
this movie was SO dark that drastic cuts had to be made before its
release; one of the deleted scenes, for example, showed a man's flesh
being dissolved by a deathly mist (not pretty, but if you want you can see it
here),
while another displayed one of the undead soldiers killing a man by
slicing his neck and torso. Nice. These cuts were so abrupt that they
even left a perceptible jump in the soundtrack.
But
even after cutting the strongest scenes, the reception was not good,
loosing at the box office to the likes of the first Care Bears movie. (!)
Aaaaaaand
here is the scene where the Horned King dies, sucked into the Black
Cauldron.
Lovely scene.
2. Fantasia:
“Night on Bald Mountain”
Fantasia
was
a grand project, but not a lucrative one.
The
timing for it was bad: releasing a movie in the midst of the Second
World War (Fantasia was released in 1940) meant not being able to
count on the European market; and as it had been a very expensive
movie to make, the studio did not have the necessary profit to cover
the expenses it'd had. The movie was said to be a “remarkable nightmare”. One critic said it was “for adults and
very nerdy kids”.
Since
I've always been very nerdy, I LOVED Fantasia
when I was a kid. Except for the “Night on Bald Mountain” segment.
It shows the demon Chernabog
summoning evil spirits and hellish beasts at midnight; they all dance
and fly across the air, only stopping upon hearing some Ave
Maria
chanting in the distance, along with the sun rise.
Another item on my “fast-forward list”. It terrifies me to the
very core of my soul until this day. And though I find it fascinating
nowadays, it's so grotesque I think wouldn't let my kids watch it
before they were, I don't know, 15.
1. The Hunchback
of Notre Dame: “Hell
Fire”
This 96 movie is, beyond the shadow
of a doubt, a horrible
adaptation of Victor Hugo's book The Hunchback of Notre
Dame – but BOY is it an
excellent film!
The story is good if you don't think of the original book, the visual is dazzling, and the soundtrack
basically told many other Disney songs they could suck it.
But Hunchback
is too dark: Quasimodo is tortured by the Parisians, Esmeralda is way
too sexy, the 15th
century Catholicism is to heavy for a child to really understand, and
even the vocabulary used might be beyond some children's grasp
sometimes. No wonder they released Hercules
the following year, a bunch of sparkly colorful nonsense.
But Judge Claude Frollo's moral
dilemma, torn between his religious duty and devotion and his lust
for Esmeralda, is the scariest aspect of the movie (starting at 0:42):
I must say: one doesn't understand what Frollo's actually going through here till after one's puberty.
Frollo is guilty of religious hypocrisy, lust, attempted genocide, psychological oppression, murder and what has to be The
Most Demented Disney Song Ever.
Creepy lecherous old man.